Tuesday, May 20, 2008

Comic Relief, an end

For a blog for and about silk screening, it seems to be turning into a fucking cemetery! Rory Root, an old boss and friend as died. He built one of the best, if not THE best comix shop in the North Americas. A true supporter of the art form. I worked for him for a short time as PR/Ad man before I left (unceremoniously) to go onto the big time movie business. It was nice to run into a picture of him wearing the T-Shirt I designed and got Kim Deitch to illustrate exclusively for Comic Relief. Berkeley won't be the same without him. Or the comix world.
1957-2008
way too young!

Monday, April 7, 2008

Daniel Johnston!!!


Friday night a friend and I traveled a short distance to see and hear the GREAT songwriter and musician Daniel Johnston! It was more of a book signing than anything, but there was the rare pleasure of Daniel singing and playing the piano! He then stood up and played his guitar for a few songs. In the usual Daniel fashion he sang a couple then said thank you and goodbye, only to be reminded he had a few more minutes of his allotted 25 minutes...he then went on and played more. We then all lined up to get our copies of his book signed. A fine book at that! A very cute Japanese girl handed Dan a scarf to sign, and I was compelled to ask him "what is the weirdest thing you've ever been asked to sign..." He paused for a bit, and as usual with no eye contact, replied " a girl wanted me to sign her breast once..." "Did you?, I asked..."No I couldn't do that!" He replied. I then shook his hand. I've been a fan for a long time, and this was the first time seeing and meeting him. If you are not familiar with Dan's work you should...check out his myspace page to hear some great stuff!!!

Tuesday, April 1, 2008

Bye Bob...

Yet again,
I heard that a old friend had died. Long ago out of touch, but never out of mind. January 28, 2008 was when he passed after a long illness. Bob and I were neighbors, he lived down the street from me in Oakland, at the time of him putting together the New Comics Anthology. He liked a piece I had done, which he called after the old "
Wisconsin Death Trip"...I was happy 'cause I was right next to Julie Doucet...we were all "young punks"...a fine book, to which I did get paid (sorry Eddie). We organized a brilliant little signing also at the now defunct Telegraph Ave Cody's. Loads of fun. I was also invited to join in the good times working on War News, to which, to me had to have been close to what the Algonquin Round table was like. This is a small excerpt that will give you an idea of what we were up to from an SF Weekly article ...It was a shit load of fun...until it wasn't...


"...A few days later a motley menagerie of noisy Irish, old hippies, and others converged on the Examiner building. They protested that Hinckle had been fired for writing a column critical of the Gulf War that compared President Bush to Tojo, a column that the Examiner was too chicken to run. The atmosphere was that of a drunken circus. A 10-foot-tall replica of George Bush's head stared at passers-by from the bed of a truck. Flasks were passed to warm up the chilly morning. Strippers wobbled on their high heels, carrying picket signs with slogans like: "Stop Harassing the Visually Impaired."

Jim Mitchell seized the opportunity to expand from the porn business and launch his own newspaper, to combat the disinformation America was receiving about the Gulf War.
It was called War News, and Mitchell appointed Hinckle as its figurehead editor/publisher, whose primary duties were riding around in a car from bar to bar with his dog, while everyone else did the work.

A nightclub in North Beach was opened as an office.
Hinckle commuted back and forth from New York, calling in favors and rounding up contributors, including Barbara Ehrenreich, whose Time magazine piece had been killed, as well as Daniel Ellsberg, Michael Moore, Paul Krassner, Art Spiegelman, Ron Turner, Bob Callahan, Peter Bagge, Jim Woodring, Trina Robbins, S. Clay Wilson, (ME! Bruce Hilvitz), (just to name a few) even a fax from Hunter Thompson. R. Crumb designed a logo. T-shirts were printed up.

Callahan was amazed at the array of talented shit-disturbers they had attracted for this one last tweak of the establishment. "It was like 'The Over the Hill Gang' gets one more ride on the range."

Hinckle was back in his element, ear glued to the phone. This wasn't some bullshit Sunday magazine -- it mattered. And like most of Warren Hinckle's gut instincts, at heart he was absolutely right. Hinckle didn't get a chance to kill War News, though. Jim Mitchell did by shooting to death his brother, Artie. (Thanks to a Hinckle-led publicity campaign, Jim Mitchell got only six years.)


Anyway, I remember hanging out with Bob and his friends, smoking good pot and watching good boxing matches, especially if the boxers were Irish, of course... and bullshitting up a storm. He always seemed to want more from a magazine, book anything of the printed matter world. That's why I liked him so much, we both shared that vision and both wanted to work doubly hard to get to that point. The field of Comix will miss him as it should. He contributed a lot to it and will not be forgotten for it and all else he had done. Later Bob!

Tuesday, October 16, 2007

Summer Class ends

We just completed our summer session of class last week, and it was a rousing success!
A young chap from Canon City did a great job at keeping up, and it looks as though he has hit the road running! As soon as he left the last class, Martin Welch, a web designer, among other things launched is apparel line:
WWW.STRANGERWEAR.COM
Nothing like a little competition to get the 'soul' jumpin'!! The art below
is from his lesson, which he aced! New Classes are beginning, so sign up NOW! a 4 hour a week, 6 week course, for only $575.00, which includes all materials. Call (719) 214-4202 Monday- Friday 10am - 5 pm

Wednesday, August 1, 2007

FEATURED ARTIST 'EIGHT'

Monkeyink.com is John Howard and his portfolio of gigposter and related artwork.

"Most of the work displayed here springs from the music that the work is about. It is my intention to illustrate the music. The way it sounds, where it comes from, and what it is about. If you are a fan of the music, I hope the poster surprises you and at the same time feels like a nice fit.

My linework tends to have a bold carved feel and I generally work with three to five flat colors that, at least visually, translate to screen printing."

...John Howard in my early days, was my "front man"...meaning in all my publications, I always enjoyed using John's work as the front splash page. Why? Well, John's work invites you to want more...his line is thick, and his imagery is always open to the universe. Nothing has changed in the 20 years (yikes!) since those grand days. We met in Berkeley when I was starting Kär-tön'! New comics arts journal. He worked at the Berkeley Arts store which I haunted frequently, and I believe he was one of the first cartoonists I wrangled. He has gone onto a glorious career designing 'rock' posters for the cream of the crop o' rock stars...not surprising. How he keeps his litho's and silk screen print prices so low, I do not know!, but you gotta check out his lithograph's and silk-screen posters, and T-shirts... and BUY SOME!

Dark Arts of Asia

Step by step revelation of ancient secrets of printmaking from Asia as they enter in unholy matrimony with the dark arts of western Cartoonism...
"...Mats!? reveals "his" signature technique..."
(soundtrack from Sublime Frequencies' :Thai Pop Spectacular.)

Magical Mats!? at Work!: catch up and read this (again)



Thursday, June 7, 2007

Summer Silk Screen Classes

Ink and Design has been offering private silk screen classes this summer, and we are about to wrap up our first session. 4 hours, once a week for 6 weeks...Our student Michelle has done a splendid job! A DNA Lab Tech by day, and a self proclaimed "Non-artist" I have to say she has a good eye and I hope has enjoyed the experience! We have gone thru all aspects of the process, in order for her to go home and be able to do it all for herself. We started with an introduction to computer to film techniques, using KIMODESK film output, moving onto rubylith handcut and black inked, hand made separations. The first assignment was to bring in a blackline piece of art and work the separations from that. We went onto hand stretched screen stretching and photo emulsion application. This progressed onto wedge-step test to find the right exposure time, screen reclaiming and final "burning" of the images for a 3 color job. We then went onto carousel, registration set up and flatwork (paper) registration introduction. Last night we went to town and started textile work using plastisol inks on some dark shirts....the results were great! Michelle picked some great colors and we had tremendous results! Next week and the last session will be learning waterbase inks on archival paper using a flatwork registration unit...so far so good!!! If any one is interested in signing up through the summer, please contact Ink and Design at (719) 214-4202, Monday - Friday, 10am-5pm.
All classes take place in-shop, and is offered for the low cost of $575.00 (materials included)